Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. Where? To the circus, of course.įortunately or otherwise, John and 6-year-old Page join up with Boz-sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee.
#IMATE 3811 REVIEW SERIES#
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders… George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Cut to five years previous, in a prequel to the whole series. The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). Not that there aren’t pranks and envelope-pushing quips aplenty. Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment. Bunting and his own dreadfully spooky imaginary companion. Gravett’s several double-page, full-color illustrations, along with lively margin drawings, sweetly blend the real with the imaginary, giving Amanda and Rudger appealing personality-and deliver chills in the form of Mr. Harrold offers an appealingly childcentric world with hefty doses of scare and malevolence to explore the possibilities of imaginary beings with feelings of their own. A harrowing hospital scene is satisfyingly gruesome though not disastrous. Rudger’s attempts to connect with a boy too young to enjoy his unexpected appearance and to one of Amanda’s less versatile friends are ill-starred. When Amanda is hit by a car, Rudger is able to take refuge in a library, the one place apart from children’s company where sufficient imagination dwells to keep imaginary companions from fading. There’s the possibility of being forgotten, when age or injury-or death?-causes the bond to weaken. Bunting, an ancient man in Hawaiian-print shirt and shorts who, it turns out, stays alive by devouring children’s imaginary friends. He finds that sharing in Amanda’s rich and adventurous imagination has its rewards but some significant dangers and challenges. What happens to the imaginary friends we make when we are so little we can’t remember them later on?Īmanda’s friend Rudger simply appears one day in Amanda’s wardrobe and becomes her constant companion-and hers alone.
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